Reading Deals Book Reviews: An Update

Back in April I wrote about Reading Deals book review program. I’ve now received all 10 of my reviews on Amazon for Goddess so I can give other authors who need more Amazon reviews an honest review of their services. Here’s my take:

  1. The reviews take a long time to come in. I placed my order for 10 reviews on February 16. I received an email today that my 10th review has finally been posted. Six months sounds like a long time and was more than I expected, but in retrospect, I don’t think it was unreasonable. The reviewers aren’t paid (which is a good thing), so their only incentive to finish a review is so they can get another free book.
  2. The reviews varied a great deal in quality. I never expected NY Times quality reviews. A few of mine were thoughtful, others were barely more than a sentence. It would be good if Reading Deals required reviewers to write a minimum number of words.
  3. The reviews were almost all positive. I don’t necessarily see this as a plus for the service. I’d prefer a thoughtful negative review to a slapdash positive one. The people who didn’t like the book were turned off by the adultery theme. But they still admired the writing, which is just fine by me. I knew the book would be controversial.
  4. They keep you apprised of the reviews coming in. Each week I received an automated email telling me how many reviewers had downloaded the book and how many reviews I’d received. I really appreciated this.
  5. The price seems reasonable. I don’t remember what I paid but the current price is $79. The $129 for premium placement might speed up how fast the reviews come in. Frankly, I’ve spent more and got back less advertising Goddess, so I thought it was worth it.

The bottom line is, if you need more reviews for your book, I think Reading Deals is worth it. It’s certainly more ethical than paying for positive reviews, and I think it’s also more honest than getting your friends and family to review your book.

If you’re considering this service and want to do more research, here are links to all my Reading Deal reviews:

https://www.amazon.com/review/R6824R97NTNEE/ref=pe_1098610_137716200_cm_rv_eml_rv0_rv

http://www.amazon.com/gp/customer-reviews/R2NYAVSJWZTH32/ref=cm_cr_arp_d_rvw_ttl?ie=UTF8&ASIN=B015JVAF54

http://www.amazon.com/gp/customer-reviews/R3GGMJUWASAUQN/ref=cm_cr_arp_d_rvw_ttl?ie=UTF8&ASIN=B015JVAF54

https://www.amazon.com/review/REKD0MGHHLX3K/ref=pe_1098610_137716200_cm_rv_eml_rv0_rv

https://www.amazon.com/review/R103U1Z0RQG4SA/ref=cm_cr_rdp_perm

http://www.amazon.com/gp/customer-reviews/R1Z8AR8DPTR10N/ref=cm_cr_arp_d_rvw_ttl?ie=UTF8&ASIN=B015JVAF54

https://www.amazon.com/review/R1HICLJJZ7R2CY/ref=pe_1098610_137716200_cm_rv_eml_rv0_rv

https://www.amazon.com/review/R1BOMBCN672018/ref=cm_cr_rdp_perm?ie=UTF8&ASIN=B015JVAF54

https://www.amazon.com/review/R2LFOYWO9PS696/ref=pe_1098610_137716200_cm_rv_eml_rv0_rv

https://www.amazon.com/review/R158GIRCS30I6R/ref=cm_cr_rdp_perm

Happy writing!

Kelee

How to Fake it Till You Make it as a Writer

I was listening to an interesting story on NPR not long ago. In it, a schlubby nobody wanted to find out what it feels like to be famous. He got some friends and strangers to pose as bodyguards, an assistant, and paparazzi. They walked through midtown Manhattan, treating him like the star he wasn’t, and guess what? People believed it. Gawkers gawked, girls swarmed. They imagined he was someone famous they had seen on TV or in a movie. For a short time, he faked his way into celebrity.

Most writers suffer from self-doubt. Voices scream in our heads, You’re a fake, a loser, a hack. You’ll never be a success, and if you are, the next book will bomb. I firmly believe that’s why Harper Lee never wrote a second book and why many writers turn to drink.

But we can change those negative messages and turn our writing, and our lives around.

I was recently struggling through a period when everything I wrote was terrible. The story, the characters, and the dialogue in my new book felt like bile I was throwing up on the page. I started avoiding writing, distracting myself with unpleasant household chores.

But after hearing the NPR story, I decided that if I couldn’t be a good writer, I could at least pretend to be one. Every morning I woke up, looked in the mirror, and repeated a phrase I had learned from author Julia Cameron: “You are a brilliant and prolific writer.”

It was so simple, but it worked. After giving myself a positive message, I more eager to sit down at my laptop, and the pages started to flow. I felt like Popeye after gulping down a can of spinach. The negative voices were subdued, and I became a “brilliant and prolific writer,” at least for the day.

Faking it till you make it can work in social situations too. Suppose you heard that an agent you thought would be perfect to represent you was going to be at a writing conference. You sign up. Now imagine two scenarios:

Scenario 1: You spot the agent across the room, surrounded by other wannabe authors. You tell yourself, Why would she be interested in me? My stuff isn’t good. I’ve already been rejected by 50 agents. Even if she agreed to read my manuscript, it would probably end up in the trash.

I’m sure you can imagine what you might do after all those negative messages. You’d probably end up at the cash bar, hiding your face in shame.

But what if, instead, you decided to fake it.

Scenario 2: You spot the agent across the room, surrounded by wannabe authors. But that’s not you. You’re already successful. You’ve had 10 books on the best seller list. You already have an agent, but perhaps would be in the market for a new one if she was right for you.

Don’t get me wrong. I’m not telling you to lie to the agent. You’d be found out pretty quickly. I’m telling you to lie to yourself. Play the role of the successful author. Approach the agent with confidence. Introduce yourself and make firm eye contact. Invite her to read your latest manuscript. You might just end up at the cash bar sharing a drink with her.

I know this sounds fake. It is. You’re playing a part for yourself. Remember the guy who pretended to be a celebrity? He never told anyone he was famous. He just played the part and they came to their own conclusions.

Many years ago, I read about another way to fake it till you make. I don’t recall the title of the self-help book, but its premise was, Act like it was impossible to fail.

We all know failure is a fact of life for writers. I have the rejection letters to prove it. Again, this isn’t about telling yourself that you can’t fail. You’ll know you’re lying. It means to act like you can’t fail. What would you do if you acted like the novel you were planning couldn’t fail? What if you acted like it was destined to be a Harry Potter-like hit and buy you a French chateau? Would you put it off, or would  you get down to some serious writing?

Try this for a day, a week, a month. Try it the next time you write a query letter or go to a conference. Try it the next time you meet a hot guy at a party.

“What do you do?” he asks.

“I’m a writer,” you reply without apology or hesitation.

Best wishes,

Kelee

 

Luck and the Successful Writer

In the early 2000s, writer Doug Aitchison was struggling to get his screenplay Akeelah and the Bee produced. It had already won a prestigious Nichol Fellowship in Screenwriting. Producer Sid Ganis discovered it thanks to that award, but he was having little luck in getting studio interest or funding. After all, this was a story about a spelling bee starring a young African American girl – not what you’d call big budget Hollywood entertainment!

 

Gains did manage to get the script to Lawrence Fishburne through his agent, but he heard nothing back. Fishburne likely had dozens of script piled on his desk, and he had no reason to read one from a writer with no track record.

But then, to paraphrase Frank Sinatra, luck was a lady to Doug Aitchison. One day, he was walking his dog in the Hollywood Hills when he saw a familiar face approaching – Lawrence Fishburne, who was walking his own dogs. Aitchison knew this was his moment.

Writer Julia Cameron writes, “I don’t believe in luck. I do believe in synchronicity.” She goes on, “Luck is passive. We trigger synchronicity. We trigger it through risk.” Aitchison took the risk of approaching a major star he had never met before. He politely introduced himself. Fishburne remembered Akeelah and the Bee, and promised to take a closer look at it. He ended up producing and starring in it.

Every writer has luck or synchronicity. Sometimes risk pays off, many times it doesn’t. You send out 50 query letters and one agent asks for your pages. Partly it’s because you wrote a good letter, but you may have also contacted her on a good day with just the kind of story she liked.

If your hobby is skydiving, the consequences of taking a risk may be bad. But if you’re well trained and prepared, the chances of success are much better. If you’re a writer, there’s seldom a serious downside to stepping out of your comfort zone and taking a risk. Perhaps you’ll be walking your dog and meet the person who makes you career take off. If you’ve prepared, if the manuscript in your hand is damned good, you’ve increased your odds that synchronicity will turn into success. Luck my just be a lady tonight.

Try it. What do you have to lose?

Best wishes,

Kelee

Getting Amazon Reviews: A Success Story

I’ve written earlier about my struggles to get reviewed on Amazon. I definitely wasn’t going to pay for good reviews (Unethical!) and I decided to avoid asking friends and family to review my book. (I’ve read too many books with rave reviews that turned out to be terrible. We all know where most of those reviews came from.)

Call me crazy, but I wanted to actually earn my good reviews. While doing research on where to advertise my next sale on Goddess, I stumbled across Reading Deals. They advertise book bargains, but they also offer a service to send your book out to people who are interested in reviewing it. Yes, you do pay for the service (I paid $39 for 10-15 reviews.) but the reviewers themselves are unpaid and there’s no promise that the reviews will be positive.

logo-2

I’ve now received seven reviews through Reading Deals, and along with the reviews I already had, my book is averaging 4.1 stars. Compared to the many books with 5-star averages, that’s not fantastic. But I suspect most of those 5-star reviews were written by the author’s mom and best friends.

The reviews themselves are mostly well thought out, though far from what an author would get from a professional publication. But on Amazon, I think that’s the best we can expect. Overall, I’m pleased with my experience with Reading Deals. I would definitely recommend them to other authors searching for reviews.

Best Wishes,

Kelee

Big Two Week Sale on Goddess

Yesterday, I kicked off a two week $.99 sale on Goddess with ads in Betty Book Freak and Buck Books. I’m also starting to garner some more reviews on Amazon. Goddess is available on all platforms, so go out (or stay in) and get a copy!

Best Wishes,

Kelee

Free Review Copies of Goddess

You may have read my post a while back about my struggles to get reviews for Goddess without resorting to asking friends and family. (“Really, Kelee,” said my Aunt Agnes. “Erotic romance? Maybe you should bake a nice apple pie instead.”)

Paying people to post reviews felt as unethical as a soliciting a slew of 5-star reviews from my friends. Then, while looking for places to advertise my next big sale, I came across Reading Deals. They don’t advertise erotica, but they do have a side service called Review Club. For $39 an author can get 10-15 reviews on Amazon, plus tweets promoting your book. Yes, it does cost money, but it doesn’t go to the reviewers and there’s no guarantee they’ll give me good reviews, so I felt like it was ethical. I’ll let you know how it works out.

And if you’d like to join Review Club as a reviewer, you can get a lot of free books, including mine:

http://readingdeals.com/free-review-books/goddess-by-kelee-morris

Happy reading, everyone!

Best wishes,

Kelee

Goddess Goes Wide

I’m pleased to report that Goddess is now available on all major book platforms (and some I’ve never heard of) thanks to Smashwords. I was going to do this all myself, but I realized Apple’s IBooks site was too onerous for me to negotiate. On the other hand, Barnes and Noble was easy, which is why I published there on my own.

So, now there’s no excuse for you not to get your copy today. Enjoy!

Best wishes,

Kelee

How Long Should My Book Be?

When I was a screenwriter, I knew hitting the right page count was an essential part of the writing process. No agent or producer was going to read your 200-page epic movie script, no matter how good you thought it was. (And any unproduced screenwriter naive enough to submit a 200-page script probably doesn’t have the experience to make it good.) Most new screenwriters continue to believe conventional wisdom that a script should be about 120 pages, but even that is inaccurate. In today’s market, 100-110 pages is the rule, unless you’re Christopher Nolan.

When I became a romance writer, I knew that word count was probably important to literary agents and publishers too. It turns out I was right. Few agents will even consider a very long manuscript. (Sci-fi being the exception.) Unless you’re already a best selling author, a fat book is risky because it’s more expensive to print. But a thin novel can get lost on bookshelves and readers might think it’s not worth the money.

When I began writing GoddessI read on a blog that the average romance novel is 76,031 words. I’m not sure where that figure came from, but it turned out to be pretty accurate. Romance novels can be somewhat shorter (perhaps 60,000 words) or longer (90,000), but you shouldn’t get too far out of that range or most agents won’t request the manuscript.

I didn’t have much of an issue with Goddess. I always try to cut unnecessary words and sentences as I write each draft, and when all was said and done, I ended up with a submission-ready manuscript of about 77,500 words. Perfect.

Of course, I ended up self-publishing Goddess, where page count isn’t as much of an issue. (Though I personally wouldn’t buy or agree to review a 100,000 word romance novel. They are rarely good enough to invest that much of my time.)

However, when I finished the first draft of my new comedic romance novel, Anywhere’s Better Than Here,  I discovered I had a word count problem. It came in at about 53,000 words. Much of this had to do with its origin as a screenplay, where brevity and tight pacing in a romantic comedy was a necessity. I liked what I had written, but I knew marketing such a short book to agents would be even more of a challenge than usual.

The first draft was a breeze, but the second draft has been painful. I’ve found places where I need more character development, and my b-story needed a little more beefing up. I’ve also found spots where transitional scenes would make the story feel not quite so rushed. (Though I do want it to be fast paced.) But overall, I’m surprised at how difficult it is for me to add to a story, rather than take away from it.

“Kill your babies” was the maxim I learned as a screenwriter. Don’t be afraid to cut favorite scenes or lines of dialogue if it’s necessary for pacing. But now, it seems, I need to birth a few more children. It’s challenging, but if writing isn’t difficult at times, then it’s usually because it isn’t very good.

So I return to my manuscript, redoubling my efforts, on a quest to make it as perfect as I can before it goes out to beta readers. Wish me luck!

Best wishes,

Kelee