Snowflake Pro Outlining Software: A Review

I fully admit that I hate outlining. It rarely feel as satisfying as actually writing the novel I’ve cooked up in my head. Often, I end up with a jumbled mess of scene and chapter breakdowns that don’t serve me well in the first or subsequent drafts.

That’s why I decided to try Snowflake Pro. I was hesitant because I’ve had experience with screenplay outlining software that was either too complex or tried to put my script into a formulaic, three-act box. Thankfully, while author and software developer Randy Ingermanson talks about three acts and other structural tools, he doesn’t push them hard, so I felt comfortable only using what I needed to help me write my outline.

The snowflake method isn’t new. The idea is to start with a simple pattern and make it increasingly elaborate until you end up with a beautifully designed snowflake or, in this case, a novel.

Snowflake Pro retails for $100, but discount codes are easy to find. I paid $50. It’s easy to install. The only issue I had was that it’s not yet compatible with Mac OS Sierra, but a quick email to Snowflake’s support staff told me that all I needed was to download an earlier version of Flash. I did and was quickly up and running.

snowflake-welcome

Snowflake first asks you to choose a number 1 through 6 for how much detail you want in your outline. It didn’t give any direction as to what those levels meant, so I chose 4, which felt about right.

After entering some author information, step 1 asks you to write a one-sentence summary of your story. I think this is a vital step in any story development process, and one that was very familiar to me through my years of writing screenplays.

In subsequent steps, Snowflake has you expand that one sentence, first to a paragraph, then to longer synopses. It alternates this with steps where you develop your characters in more detail. At each step, Ingermanson offers a short audio lecture to guide you. I found these useful to get my bearings. Less useful are the examples offered from other books. There are only five available: Gone With the Wind, Harry Potter, Book 1, Pirates of the Caribbean, and Pride and Prejudice. I would like to see a wider variety of well-known classic and genre novels, and isn’t Pirates a movie, not a novel?

I appreciated the systematic way the software helped me expand my novel. When new ideas or changes popped into my head, it was easy to backtrack and add them in at earlier steps. In fact, Ingermanson encourages this.

Not as useful to me was the step where you add various details to your character profiles: what color are their eyes, what kind of clothes do they wear, what books do they read, etc. I know some writers like to consider these things, but I find it useful only when it comes up in my narrative.

While I loved the step where you make a list of your scenes (Though I know they’re going to change as I write.), it wasn’t useful to think about the typical pages per scene and the ideal pages per chapter. If that’s what your focus is on at this point, you’d better get your head back in your story.

The other step I found kind of strange was the final one, where you take what you’ve outlined and turn it into a proposal, adding marketing details, endorsements, etc. I know it’s useful to consider some of these things before writing a novel, but what are you going to do with a formal proposal? Unless you’re an established writer with an agent and publisher, who’s going to even read it?

I also missed having spell check and drag-and-drop editing. I’m so used to those conveniences in Word and other software that it made Snowflake Pro feel a little underdeveloped.

Overall though, I would highly recommend Snowflake to any writer who wants to improve his or her outlines. While you could create something like this on your own, it’s great to have it in a neat package. In my humble opinion, it was well worth a $50 investment in your writing.

Kelee

 

Advertisements

How to Outline Your Book Effectively

First of all, let me make one thing clear: I hate outlining. When I outline, I have a very hard time getting my creative juices flowing. I want to be knocking out pages, writing dialogue, creating colorful descriptions. It’s like cleaning my house before a party when I really want to be drinking wine and laughing with my friends.

Is outlining even necessary? I have a writer friend who doesn’t believe in it. He has a theme in mind, a main character, and a few other elements. Then he just starts writing and sees where it leads. That method seems to work for him. His books are good.

But it doesn’t work for me. While the writing initially feels good, I inevitably run into brick walls where I feel lost without a map. I have no idea which way to go.

So it’s back to the outline for me.

After outlining many screenplays and three books, I’ve come up with a few tips I’d like to share. Hopefully, they’ll help you write a better outline, and in turn, a better book.

  1. Drill down into your story. Start with the big picture. Where does the story start? Where will it end? What are the three or four major turning points? Write those first before you get into the details.
  2. Stay focused on your theme. It should resonate in ever chapter and every scene. If it doesn’t, consider cutting or changing that section.
  3. Break your outline down on paper, on your computer screen, or even on PostIt Notes. I usually break mine down by chapters and scenes. These change over the course of writing. The outline helps me to keep track.
  4. Make sure each section connects with the one before it and after it. Sometimes I write a favorite scene, but when I look at the outline, I realize it interrupts the flow of the story. I either have to cut it or move it elsewhere.
  5. As you write each section, give it some “juice.” Especially when you’re on your second or third draft of your book, add a little dialogue and spruce up the descriptions in your outline. It will help connect you with the magic of your story.
  6. Read over your outline many times. Look for the holes in it. Look for strained connections from one scene to the next. Do important characters disappear for lengthy periods? Does the story get bogged down? This is where number 5 will help.
  7. Have other people read it too.
  8. Whenever you feel stuck in your book, go back and write a new outline.
  9. When you’re finished with your first draft, read it and write yet another outline from it.
  10. When you’ve finished the second and third draft, outline again.
  11. And again, and again. Your book should, must, will evolve as you discover the characters and the story. If you keep re-outlining, you’ll have a better sense of the story arc.

Outlines are the annoying friend you can’t live without. Treat them with kindness and respect and they’ll pay you back many times over.

Happy writing!

Kelee